Le Femme Nue代表了十年的美術裸體攝影

當肯尼斯·克拉克（Kenneth Clark）發表“裸體：理想形式的研究”時，他可以明確的區別：“要赤裸裸地被剝奪了我們的衣服，這個詞暗示著我們大多數人在這種情況下的某些尷尬，”他寫道。 “另一方面，'裸體'一詞以受過教育的用法攜帶，沒有令人不舒服的泛音。它投射到頭腦中的模糊形像不是一個笨拙，毫無防禦的身體，而是一個平衡，繁榮和自信的身體：重新形成的身體。” My focus is the creation of beautiful artistic nudes, and the following statement reflects my attitude on shooting artistic nudes better than anything I could devise: "If I have chosen the female form in particular, it is because beauty has been debased and exploited in our sensual twentieth century. We seem to have a need to turn innocent nature into evil ugliness be the twist of the mind. Woman has been target of much that is sordid and cheap, especially in photography. To raise, to elevate, to endorse with timeless reverence the image of woman, has been my mission - the reason for my work."露絲·伯恩哈德（Ruth Bernhard），《裸露的觀點》我們中有十多年的美術攝影價值。